Haven't stopped by in a while, I like what you're doing with your lifedrawings, I second the Sin City comment(read 'A Dame to Kill For', good story and has some crazygood panels...) I also love what happened to your film, looks like it'll be a blast!
good stuff as usual alan but watch your distortion. On a lot of your recent exploration stuff you seem to draw them with broken bones. Keep up the good grind nevertheless!
Hey Peter - thanks much. Glad you like it nonetheless!
Hey Mel - I've definetly read it - I wasn't exactly thinking of Frank Miller but I can see kinda what you guys are talking about.
Hope you liked our leica - I definetly liked yours!
Hey Dan - I definetly have been focusing more on appeal than structure. I totally know where you're coming from but sometimes it's just easier to create interesting shapes when you're not always tongue-tied to structure. Not to mention more liberating!
4 comments:
cool style, nice gestures, actually i like the strong black/red contrast..kinda gives it a sin city-style feeling. good stuff as usual
Haven't stopped by in a while, I like what you're doing with your lifedrawings, I second the Sin City comment(read 'A Dame to Kill For', good story and has some crazygood panels...)
I also love what happened to your film, looks like it'll be a blast!
good stuff as usual alan but watch your distortion. On a lot of your recent exploration stuff you seem to draw them with broken bones. Keep up the good grind nevertheless!
Hey Peter - thanks much. Glad you like it nonetheless!
Hey Mel - I've definetly read it - I wasn't exactly thinking of Frank Miller but I can see kinda what you guys are talking about.
Hope you liked our leica - I definetly liked yours!
Hey Dan - I definetly have been focusing more on appeal than structure. I totally know where you're coming from but sometimes it's just easier to create interesting shapes when you're not always tongue-tied to structure. Not to mention more liberating!
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